Semaine de la critique
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Short and medium length films competition
Permanencias
Ricardo Alves Júnior

 
  • FILM
  • DIRECTOR
  • CONTACT
  • PORTRAIT

BRAZIL
2011 / INTERNATIONAL PREMIERE

34’ / VO PORTUGAIS

Synopsis
From the inside the air is heavier.


director:
Ricardo Alves Júnior
screenplay: Diego Hoefel, Pablo Lamar, Ricardo Alves Júnior
cinematography:Tomas Perez Silva
editing: Ernesto Gougain, Alejandra Aguilar Catalán
sound : Pablo Lamar

cast:
Alisson Machado de Souza
Marcos Magalhães
Vinicius de Morais
Rosemary Santos Cesário
Maria Aparecida
Normando Ferreira
Celso Oliveira

Biography
Ricardo Alves Júnior

Brazilian nationality. Born on August 8, 1982 in Belo Horizonte (Brazil).

Filmography
2010 PERMANÊNCIAS
2007 CONVITE PARA JANTAR COM CAMARADA STALIN
2006 MATERIAL BRUTO

production
ENTREFILMES
Ricardo Alves Júnior
Tel. +55 31 34766011
Mob. +55 31 93691167
entrefilmes@gmail.com

SAPUKAI FILMES
Pablo Lamar
Mob. +55 81 91160896
sapukai@hotmail.com

press agent
DESBUN FILMES
Marcelo Caetano
Tel. +55 11 30812731
Mob. +55 11 82637372
marcelo.desbun@gmail.com
permanences.film@gmail.com

sales
FIGA FILMS
Sandro Fiorin
Tel. +1 323 258 5241
Mob. +1 323 229 9816 (USA)
Mob. +33 6 83 39 47 91 (France)
sandro@figafilms.com

contact Cannes
DESBUN FILMES
Marcelo Caetano
Mob. +55 11 82637372
marcelo.desbun@gmail.com

FIGA FILMS
Sandro Fiorin
Mob. +33 6 83 39 47 91


I always think of cinema as an art of time (…) So, the films that disturb me are the films that offer the spectator a space for creation, in which everybody can feel the images and the length of shots (…) Permanências is a film that emphasizes minimalist gestures, looks, breath. I believe in a mapping of the face”. In a few lines, Ricardo Alvez Júnior defines his film without altering its incredible mystery. Shot in apartment blocks in the center of Belo Horizonte (Brazil) this film redefines with an amazing density the idea of “moment” in the cinema, through a series of portraits of the occupants.


Bernard Payen
Semaine de la Critique - Syndicat Français de la Critique © 2017
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